7/31/2024 Poetry by Jane Grovijahn Damian Munoz CC
Winter’s edge Wintering with my wounds brings a bitter bluster of reality buffering my spirit. Memory is charged: not to take me back to old grievances and bad habits where daily doses of self-destruction nibble on me quietly, with confidence. My command on memory of harm requires a longhouse of mulching protecting me from being frozen in despair (long enough to ride my wounds into pools of possibility instead of fine palaces erected by pain.) Winter’s fold around me Trauma takes us all into a torrential triangle where two sides so clearly intersect. I search for that other side, a third space in the thickness of searing reminders roving freely, fearlessly about me fronting my soul into a duality of bitterness split by rage. I just have to wait, hold onto myself long enough to find that mysterious angle at which the hurting bends into a place that neither houses death nor promises happy endings. Never just Winter nor Spring, I calculate my steps curiously ready to stray into thick hallow buried just deep enough. Winter’s bend Morning’s glory radiantly parades its claim on us without care to who we are or what we have done. Look at what the universe has done with the ashes burnt, spewed across the earth in fury, blasts of chaotic beginnings where life was battered, toxic at first-- until that noxious base transgressed into something utterly unimaginable. We all are rooted in that memory of transgression. Reminding us to resist building an easy entrance into damage, to know our wholeness has always carried powerful forces of destruction scandalously beautiful built upon ancient foundations mixed in this glory. Dr. Jane Grovijahn is a trauma theologian who sacrificed for too long at the altar of damage done. It was her wounds that propelled her into graduate school; once she realized that and decided to really explore their power, she was finally connected to her deepest authenticity and power. She does theology from a place of pain and possibility (is female in social imaginary of misogyny, is queer in place of Christian nationalism that denies her sacred birthright, is sexual abuse survivor in world that normalizes gender-based violences directed especially at female+ persons). She knows well the holiness of how to navigate a body dredged by others. Restless within tombs of other’s making, she now resides in sturdy structures of delight built from those places within us often hardest to relish but bursting with unpredictable pleasures. Here the power of wounds continues to surprise her with its call to community, rising into collective, riotous rites of repair. Comments are closed.
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