7/2/2017 Poetry by Jason RybergYou Are Here: A Meditation on Phenomenology and Spiritualism (with a Side of Jalapeños and Mezcal) for Michael Morales Whereas I’m not so much a full-on, absolute denier, but really more of what you might call a methodological naturalist / soft-hearted atheist / hard-nosed agnostic (with gnostically paganish proclivities and a soft spot for the weird, fanciful and mysterious) when it comes to matters concerning supernatural phenomena / spirit worlds / higher powers / etc., etc., but if I were more hard-wired that way (if not exactly a full-on true believer) and if my ratio of wiring to whatever quantifiable level of good old fashioned common credulity were to extend to the idea of actually communing with and / or summoning said supernatural phenomena / spirit worlds / higher powers / etc., etc., then I’d have to say that two men of (otherwise) sound mind sitting across a table from one another (mano a mano, as if locked in a fierce war of wills on the psychic plain), consuming raw slices of jalapeños and washing them down with shots of mezcal (con gusano, by the way, if that makes any difference, though I don’t know why it would) would probably be as effective a deus ex machina as any for calling down the weird lightning of mystic visions and prophetic dreams and very possibly setting the cosmic revolving door (that is rumored to exist), between this world and who knows how many others, to spinning like a roulette wheel on which the little black ball of the mind (the black pearl of all potential and / or accumulated human knowledge and wisdom) must eventually, inevitably come to a rest (if but for the moment). What Is It, This Time? What is it, this time? It’s a set of elevator doors, endlessly and randomly opening and closing on all our various levels of perception / consciousness / awareness / etc. It’s a slippery gateway drug down a long helical flight of ever-expanding co-dependencies. It’s an attic window lit with a mysterious glow in a house where no one has lived for years (where many a secret passageway is rumored to silently serpentine). What is it, this time!? It’s a hairpin turn in an already labyrinthine path through the Garden of Earthly Delights. It’s an epic poem folded into a leaky haiku of a boat then set afloat on a lazy, meandering meme-stream that runs (mostly unnoticed) through all our lives. It’s a deep, drunken mid-day nap, ended suddenly by a dream of wind and thunder and a violent knocking at the back door (to which you stumble clumsily and frantically only to find no one there). What is it, this time!!? It’s a midnight rendezvous with Fate, Karma, Kismet and Assoc. It’s a June Bug struggling on the floor of a bath tub in an abandoned motel by the side of a road you really, really don’t want to go down. It’s a long, deep sigh let loose like the last leaf of a dead tree on to the frozen surface of a kiddie pool. It’s a rotting tree limb finally cracking and falling from the accumulated weight and misery of an ancient hangman’s noose in a forest of tall, creaking skeletons and perpetual fog in which too many people have been hung. What is it, this time!!!? It’s the lone gypsy prince of coyotes calling up the spirits of his dead ancestors for one last suicidal reunion tour before the Big Bad Ragnarok* of so many late-night campfire tales inevitably comes rumbling, tumbling down. It’s a train broke down in a tunnel with no light at the end. What is it, this time!!!!? Let me tell you what it is, cha-cha, on the house and country simple, so listen up and get it straight. It’s a priest crying with laughter at a joke his friend the rabbi has told him about a priest, a rabbi and a donkey who walk into a Bar Mitzvah. That’s what it is. Asshole. Sitting in the Rain, Tit-Deep in the Gasconade River, Passing a Pint-Bottle of Evan Williams Back and Forth For Jeanette Powers The river has been stirred-up a bit by this low-level, end-of-summer shower and keeps attempting to sweep us and our bottle away downstream to wash up who-knows-where. But our butts are too firmly planted in the rocks, here, our conversation too deeply delved into for us to surrender so easily, now. Leaves and sticks float by. A lone Blue Heron skips across the river and over the trees. Dragonflies dance their crazy electric calligraphy across the water’s surface. The bottle goes back and forth. Rain continues to fall. ![]() Bio: Jason Ryberg is the author of twelve books of poetry, six screenplays, a few short stories, a box full of folders, notebooks and scraps of paper that could one day be (loosely) construed as a novel, and, a couple of angry letters to various magazine and newspaper editors. He is currently an artist-in-residence at both The Prospero Institute of Disquieted P/o/e/t/i/c/s and the Osage Arts Community, and is an editor and designer at Spartan Books. His latest collections of poems are Head Full of Boogeymen / Belly Full of Snakes (Spartan Press, 2016) and A Secret History of the Nighttime World (39 West Press, 2017). He lives part-time in Kansas City with a rooster named Little Red and a billygoat named Giuseppe and part-time somewhere in the Ozarks, near the Gasconade River, where there are also many strange and wonderful woodland critters. Comments are closed.
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