4/30/2016 Four poems by Jessie JaneshekDear Born-Again Background digitally active and hovering horny the owl w/ a round face the man dressed as a panther the law of the Pecos wherein the bullet does not feel like anything and Tarot is showing your love for his snow corpse and Tarot is cursing the dark lake in Texas wandering caped through new wave transitions cutting a line black-eyed sailboat-soured ill-fated cocaine. And Tarot is she likes her nurse name with fangs sneaking birth control in the sedan with her grandpa graffiti jeans dying cats hanging her parents’ marriage annulled. And Tarot is worried her resolve explodes but thing is even this mood will pass as she changes the neon-haired baby from Brutus to Jason It’s the part of the tale where power-down leaves you open to the guilt of the town. You sit alone no body smell no dress pants and no cigarettes. The kidnapper’s bones drop in your garage diorama. You Said I Left Early and empty. And our lives were gory. But it’s just that I didn’t need slapped at the advent riding on top of sleep the sex drought the hand breaking the bed between my legs sticky. Pull yourself closer since something to move toward the deer heart the black spine makes you feel undead more like an animal repressing your stench and your hair w/ semi-fine china the pleasure of climbing the hoarse soothing over the same hill each day the caterwauling intervals the bird diving wingless witch bracelets and painkill to save our routine. I let the young ones discover ghost things since you’re the dark constant blue setting in the smooth mane alluding the old woman will die the stitches still mending like my father’s friend who fed the small alligator threw it in the sewer. Our lives were glory going to the graveyard our lives were moving inside your chicken-skin ear. The old woman was loose then looking for everything and this was the part where we squatted together in the illogical after painting a skull on the mouth of a cave. We Accelerate the Dialectic exorcize the upstairs indoor alley bleachy bathrooms and nothing but night then run laps around the shopping mall wash only our bangs our arms won’t be silver prêt a porter. We want to risk until we’re satisfied ignoring recordings the coin toss the throat of the crime ignoring the shorter man in his blue cape and licking your cock turning to three four five nostalgia plastic glow worms in a pocket. The false unicorn cries when we tape on her horn our unruly lips our bohemian necklines purring, comment on our status. The distance of intimacy: here an impact there an impact here a warm skin and doesn’t this feel like false gesture? We thought you were listening to all of our songs and sex was the antidote and sex was the moat we got across dry and we strapped on our hooves to sell moonshine. These Are the Lashes the chainsaw the brass hearts the under-the-tree trash. Passion is killing reviving that blade. Passion is saving or hazing the witch. I don’t know anymore in too-tight lingerie how my hair should frame gun moll light and shadow a Texas tornado this snowy owl chord of cocaine. Wonder Saint are you out there relaxing my sex like a vapor? Orange lips and wet sands Funnel my vaginal yolk. I switch to Bettie Page dominatrix skinning grapefruits gaslit on the train loving my greasy black bangs. Then your bullet misses and you chase me all day around and around the ice castles behind the shopping mall. ![]() Bio: Jessie Janeshek's chapbooks Spanish Donkey/Pear of Anguish and Rah-Rah Nostalgia are forthcoming from Grey Book Press and dancing girl press respectively. Her full-length collection of poems is Invisible Mink (Iris Press, 2010). An Assistant Professor of English and the Director of Writing at Bethany College, she holds a Ph.D. from the University of Tennessee-Knoxville and an M.F.A. from Emerson College. She co-edited the literary anthology Outscape: Writings on Fences and Frontiers (KWG Press, 2008). You can read more of her poetry at jessiejaneshek.net. Comments are closed.
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