4/4/2022 Poetry by Beverly Hennessy Summa keka marzagao CC
Last Harvest After Maurice Sendak’s interview with Terry Gross on NPR’s Fresh Air “And I look right now, as we speak together, out my window in my studio, and I see my trees and my beautiful, beautiful maples that are hundreds of years old, they’re beautiful. And you see, I can see how beautiful they are. It is a blessing to get old.” —Maurice Sendak She reaches for the dial, turns the volume up, just enough, to escape from the restless stirrings of her two children who fussed from the backseat after a long day at daycare. The speaker’s words crackle in a dirge of ragged sobs and tremulous laughter. The thin voice breaks and splits like old wood, & she recognizes his name as the author of several books she’s read to her children on the nights when she had the strength to hold a book between her overworked hands. It was usually after bath time & before she retired to the back porch with a beer & sometimes a cigarette that she would predictably beat herself up for the next day. She steers the old Camry through a pocket of slow traffic, while he speaks in his gentle manner about love and grief- tenderly unfolding 83 years of memory & artistic vision, like thumbing through an old photo album. It’s just after dinnertime, and her thoughts are already scrabbling over refrigerator leftovers & the pell-mell collection of bills that have papered the kitchen counter since last week. Her eyes dip drowsily, nerves closely drawn, but the lush acres of his words gather within her like a late summer harvest. Live your life, live your life, live your life, he softly chants. From the review mirror she glances at her children. Their small, obstreperous bodies securely belted into the curve of the backseat. Their faces smooth and glowing in the lilac light. She takes a deep breath, holds it within her lungs, scowls as she searches for memories of her own mother- if she had read to her, read his books to her. There weren’t many books or keepsakes to keep back then. They’d traveled light and moved often. Live your life, live your life, live your life. The headlights are swallowed into the fading nebula of twilight, and she squints to see a bent, ghostly figure thrusting a white cane at the encroaching darkness. The cane pendulates in tight, searching arcs, raking and stabbing the sidewalk- hunting for hidden dangers. She is reminded of her grandmother, who she once believed was an angel in a kitchen apron. She died alone in her floral nightgown on the nursing home floor. The aquiline nose, that never looked down on anyone, was broken. Live your life, live your life, live your life, he softly chants like the fading outro of a song- the heart’s wild longings still being born, even as the body swings towards its final hours. She turns the sedan onto the street she and her children call home and feels the locked paddock within her chest punch open. & the tears she held in for so long, slip down her rouged cheeks now. Like mayflies in spring, she swats them away, but still they come with the author’s prophetic message suspended across a shifting horizon of telephone lines & billboard signs. She cries for him, and she cries with him until the car is parked in the familiar driveway. She turns to see her children, peaceful, fatherless, asleep in their car seats, then looks through the dusty windshield into the deepening ink of the numinous night. Her eyes fall on the craggy and mysterious trunk of a giant, old oak, & she can’t tell if it’s an oak or a maple or some other species, but the trees, she wonders— when did she last look at the trees? Beverly Hennessy Summa’s poems have appeared in Rust + Moth, Chiron Review, the New York Quarterly, Buddhist Poetry Review, Trailer Park Quarterly, Nerve Cowboy, Hobo Camp Review and others. She has a BA in English and is a Pushcart nominee. Beverly grew up in Yonkers, New York and New Hampshire and currently lives in South Salem, New York with her family. Comments are closed.
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