12/3/2022 Poetry By Emily Long R. Miller CC
Polychrome after Megan Falley I tracked my mood every night in graph paper scribbles to see if the medication was working. Picked up a paintbrush on New Year’s morning-- the January I wasn’t sure I’d stick around to see-- put those 365 variegated pixels onto a canvas reminder that the bad days are not my whole picture. Tangerine for the birthday my friends baked two cakes to celebrate because I deserve to feel full. Periwinkle when her ghost kissed my cheek in a dream and I could almost taste the song of her laugh. Onyx when her suicide note looked less like a stoplight, more like a map. The canvas is soot-stained and tear-smeared but I’m more struck by the warmth of this life, the tenacious waltz of apricot and saffron. If I squint my eyes just so, I almost can’t see the black anymore. It was the year I spent the longest day clinging to my sister in the emergency room while the nights got greedier outside. The next morning I inhaled a whimsy of wildflowers and watched a moose lope through a Rocky Mountain meadow. Marigold skinny dips in Maine, siena sobremesas in California, strawberry ice cream with my dog and lavender boba with my nephew. The night we got too high and painted the living room August so it could always be peach season. The night it seemed easier to die than to feel. I flushed the handful of pills down the drain instead of my throat, wept with the eastern light. This cocktail of capsules makes me mourn the sunrises I almost dyed whiteout, so I write myself a love letter in a kaleidoscope of Sharpies and tell myself to keep going. There will be more good days. Holy prism of wonder, you will paint more good days. You who wanted to leave but stayed to see the backyard apple tree blush into spring. Sway to Billie Holiday with your niece perched on the dimple of your waist. Kiss and be kissed and be and be and be. Every day you write yourself a horizon you become your own redemption. Eleven Truths and a Lie after Willa Tellekson-Flash
A Catalog of Gender Euphoria My first tattoo, a bouquet of all the places I’ve called home. A reminder I can replant myself anytime a place starts to feel too small. Tie-dye coveralls, indigo softness. Chopping off 8 inches of hair to start fresh in the spring, even when a former friend told me not to. A writing workshop where everyone used they/them pronouns for me & it was helium. Floating belly up arms open in the Pacific, more levity. The snail tattoo crawling down my forearm. Bubblegum pink lipstick. Chunky, dangly, inconvenient earrings. A closet full of shared button-downs, androgynous & colorful & well-loved. Periwinkle nail polish. Tortoise shell glasses & summertime freckles on the bridge of my nose. The picture of me & the dog on the beach, walking toward the wet horizon. We both turned back for a moment before our toes met the waves again. My languid dress the color of daffodils. I look like a flower blooming right from the sea. Emily Long (she/they) is a queer writer living in Denver, Colorado. A winner of the 2021 True Colors poetry prize with Vocal Media & Moleskine, Emily has also been previously published in Anti-Heroin Chic, Quail Bell Magazine, & Passengers Journal, among others. You can find Emily on Instagram at @emdashemi, or more likely, you’ll find them paddleboarding, hiking, and climbing in the Rocky Mountains with their partner and rescue pup. Comments are closed.
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