3/1/2019 Poetry by Jacob Fowlerdog tail dreamline there is a type of surfing only adults can do: indifferent, pale yellow like the bottom of our boards. when I was young, every night I had a dream that my grandfather died and when he finally did I started surfing to find him in the sheen promised by sparkled sunlight blasted against the blackened sea last week, a wave ripped my body open and placed clay where my organs used to live I weigh twice as much now and move in blocky, jerked movements clay is so dead but loves to play alive it sits there in accented tans and browns and won’t be satisfied until it fills all of me and most of my mouth my tongue used to be just a tongue, and a tongue, wet with cool after a drink of water, rests on itself and lists the endless loves of butterscotch memories but now it’s a molded clod of clay heavy like the sky, sunk in my mouth, lapping up salt water as if life was born from salt rather than silence. salt water now means what is played with, made a me toy made my drop of a body consumed by a moment played, and falling into the stink of a greening ocean I-- I sink so gracelessly and let the weight of ceramic memories of a dead man drown me so softly drive “I can drive, drive it fast now.” - Lil Uzi Vert I can drive I can see I can see through the sand that stings through my skin I can see the biting the biting the back of a hand can be broken in so many different ways I am a backroom like backwards where the fragility of my body mocks me I will protect myself as much as it is allowed but sometimes it’s so much safer to be a coward in the dark in the tautness of backing out in the moist corners of mouths I am rarely governed by light I move often based on sound and find myself in the driver’s seat like one finds themselves ripped up but I can drive under the little nights I can drive away and back again I can drive and I will throw myself into every road before I forget that ditches ghosts, who demand so much of our compassion, crinkle into themselves at the first whiff of intimacy. in the desert, where everything is stretched out so comfortably, ghosts dance like ditches ditches that turn into cars and back into ditches, ditches lost only in themselves in the desert, there are these iridescent blocks of white wine, thirty stories high magic like weathered lizard magic like spots on the back of your eyelids these blocks, shimmering in their own heat are not ghosts but they stink with death in the desert, everything is camouflaged, pride is hunger painted as itself, and and hunger is the conductor of an orchestra without instruments hunger is the space between grains of sand and the watered down blocks of silence all my friends are in the desert waiting for a knee deep moment reminding me that moving is easier than leaving and leaving should have happened years ago but I love the bay I get to pretend that every ghost is just a voice and that every voice is water burned bright, filled out, tired, and in love with me in the desert: folded / ghost / diagrams dream only of themselves Jacob Fowler (he/him/his) is an elementary school teacher living in Oakland, CA. He recently graduated from Pitzer College with a BA in World Literature. His work has appeared in Barren Magazine, Selcouth Station, Soft Cartel, and Riggwelter Press, among others. You can find him on Twitter @jacobafowler. Comments are closed.
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