8/29/2017 Poetry by Joshua McgarryWaiting on Explosions The mortar shell crash- landed on the couch nestled in the moldy green velvet, between your sprawled legs. Did not explode. We stared the way we stared at the television, the room was quiet, the room will continue to be quiet even as a light drizzle comes through the hole taps its way into our rotten foundation. I will pour us more margaritas, Salt or sugar? Salt, always salt as you collect small things, a soft blanket, your smallest shirt, a wig off a costume. assemble these things and the bomb into a thing you can cradle in this room where Wheel of Fortune’s always on, and I pour us martinis. Maybe You hope it will begin to cry. We will stay quiet, as you paint eyes, as I pour More neat shots, make it triple as you draw a small face In lipstick, a crack in the steel makes a mouth you spoon full of tender mashed fruit, you will look up, I will pour more drinks , we will stay quiet, we will stare at each other, we are waiting for someone to blink, maybe the bomb, we are waiting as we light Tarrytans, we are waiting, waiting as we watch the lighter Strike sparks. Night in the Slaughterhouse District Tenement Apartment Complex: 3am In a top floor studio the painter licks the blood off his knuckles, the painting of a non-reflective mirror is wrong again, there is another fresh hole in the wall another fist shaped hole of frustration and the canvas is black. Brush scratchings catch the dim bulb. His boyfriend sleeps on the futon, the painter too wants to sleep, knows he can’t as he wraps his hand in a layer of gauze. Then he stretches a fresh canvas, and gathers himself for another leap. A drop of blood rolls across the palette. The vibrations of a passing train form ripples in the paint * The roof is full of dance steps and spilled beer. The lovers fuck. They tangle their bodies into unfamiliar shapes, trying to make this pretend real then unwind into the lighting of cigarettes, smolder springing from one to the other in an ashmouthed kiss. Quietly, smoke and sightlines drift over the edge. On its side one can reads Nonalcoholic. Duke Ellington jazz strolls out of an open window two floors down. * The needle catches in the pitted slab, the only light is the moon reflected off of the wax, but the piano keeps casting its shadow over the young woman her body pressed tight against the plaster, shrinking. A frozen steak over an eye hides everything the music doesn’t. There’s an airless moment between tracks, then the tender brass announces Star Crossed Lovers. * Through the glass thin walls someone stirs to the fanfare, but stays asleep. In his dream he makes a phone call and gets an answer Yes, Yes I’m here and it’s okay. I’m long gone. He hangs up and lingers for a moment, the honeyed memory of dark skin hangs in the air, before the scene snuffs out. * like the Rosemary candle that lights a letter one floor up. Dear…. I should say father, I can’t say father, I don’t think I ever will. I need help, What is the price of help? A small doodle of Sputnik orbits the words, caught in the gravity of broken connections * Preparing to leave before light, someone slaps eggs and toast into a pan. The fire off the range illuminates wrinkles that she swears weren’t there yesterday, but she whistles anyway, carrying on the night’s score where Duke left off. On her plate the yolks run like slow dawn. Deterrence Theory She stands there, naked in the open window, in the after- math. back to me as I fill two glasses, cold like the wind in the bare branches outside, the wind on her bare nipples. In a minute she will turn, behind her eyes there are silos, screens showing not love movies but launch codes. she knows what lies behind my gaze. In a minute the light will flare plutonium oranges growing in the branches their peels blooming into mushroom clouds, and against the white world we will clink our glasses as our Geiger counters gargle, click chirp, like crickets worshiping the blast. A Lebkuchen* Split in half smells of ginger and cloves, of holidays fills the small living room like the delicate light from the open winter windows. I do not know that is this the first sweet bite my grandfather has touched in four months, have not yet heard of the cancer and chemotherapy the stories, that don’t drip through The receiver, him on morphine bedbound, writhing with hallucinations. Hair is only now returning moth thin to his head. Right now this does not matter as we share the, warmth and ginger that fill the soft brown corners of the room. *A type of German cookie eaten around Christmas time. Bio: Joshua Mcgarry is a poet working on his MFA at Old Dominion University. Originally from Wetzlar, Germany, he now lives in Norfolk where he writes, reads, and collects too many records. He has been published both online and in print with: Ekphrastic Review, DoveTales, and Boston Accent Lit. Comments are closed.
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