6/3/2020 Poetry by Karla Linn Merrifield DaseinDesign CC Étude 2-19: To My Guitar I am a crazy woman, crazy gal, crazy babe, crazy hottie, crazy chick, crazy lady, crazy female modern hominid, crazy about you, crazy mad about you, the instrument of crazy unexpected pleasures; you in my lap, against my breasts, under my hands' commands, and by my fingers crazed alive. Crazily we tremble, crazily en ensemble through these early uneasy discoveries, we string together some semblance of two bodies achieving, o, our so crazy music. for Joe Craig Pretty Polly in Trafalmadore It was night and it was warm The sky was ready for a storm The moon was not so bright but neither was the candlelight for the café crowd who came down Main to Fillmore to watch the music made at the coffee house Trafalmadore. A big man they called Big Jerome appeared upon the stage in his wirerims, his southern drawl with tales of troubles he had known He played to earn his nightly wage in the smoky music hall singin’ for the rich man, playin’ for the poor at the downstairs room at old Trafalmadore He sang for me and Polly stroked the six-string with his shiny silver slide He was sitting on a bar stool beating rhythms, changing time Some of Havens he did sing with Jester Dylan by his side He did ragtime, jazz and syncopated rhymes He’d even cut a record long ago and once before But he never sang so pretty like he did at old Trafalmadore God blessed the father of that singing child God blessed the tree that lent the guitar wood and the tortoise for his shell in the finger pick that strummed so wild making music oh so well Pleasin’ Pretty Polly and the crowd till they broke applause and asked for more just sittin’ round in the basement at Trafalmadore But that was long ago and far away in a dark and distant Buffalo Since then the sky has given into gray the sun was traded in for snow I fear the cold and the winter oh so bold I wish that things were like before I wish that me & Polly could be listening to Big Jerome at the coffeehouse Trafalmadore Karla Linn Merrifield has had 800+ poems appear in dozens of journals and anthologies. She has 14 books to her credit. Following her 2018 Psyche’s Scroll (Poetry Box Select) is the 2019 full-length book Athabaskan Fractal: Poems of the Far North from Cirque Press. In early 2021, her Half a World of Kisses will be published by Truth Serum Press (Australia) under its new Lindauer Poets imprint. She is currently at work on a poetry collection, My Body the Guitar, inspired by famous guitarists and their guitars; the book is slated to be published in December 2021 by Before Your Quiet Eyes Publications Holograph Series (Rochester, NY). 6/8/2020 11:04:05 am
Wow, Karla--two very different poems stylistically and the second is quite different from your recent work. I love both...really do! The repeat of "crazy" really builds and creates a musical sound of its own. And "Pretty Polly" is so evocative of times spent listening to music, particularly in days of yore. Well done! Comments are closed.
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