10/6/2022 Poetry By Marko Capoferri Andrew Seaman CC
Self-portrait with Elegy (III) Whenever I am adrift a faroff earthbound watery star means home a house in the fields of memory where it’s always evening an ending just beyond reach and welcome that way And I’m always that kid kicking dirt clods the clotted remains of a growing season gone down the tubes too much rain too little time to breathe between the wet hoof beats clopping their way down the roof into my dreams A mosquito swarm into a chord a single car muffler sputtering down into the dark of the closing day At the window the bruise-colored waves of rain wash in from the west fireflies compel their own morse code with cricket and thrush and distant thunder hollering like a father from up the stairs I wasn’t much more then than the result of old growth that grew close enough to rub away the rough in each other But the world turns on the momentum of leaving There’s a moment when it feels like twilight can go either way the way maple leaves can seem to keep waving goodbye even after the wind stops blowing Partial Eclipse I’m learning to lean in to the falling almost- dark you call it a game of trust those arms warm rivers merging tracks of light lean in close tell me your lies I’ll believe them if you tell them truly you’re teaching me turn in to the skid the ice won’t form yet for another six months outside now blows profuse hymns in hummingbird tongues a honeyed weight as light descends too much almost to breathe sometimes when the days grow long twilight is a compromise of territories your rich outline and mine dark in the window tracing vague shapes doves in twilit flight barking dogs teach me how to live with your hands out there luna’s glossy plume halfway out of frame earth cutting into it a fine line we walk the bleeding edge this game of dim shadows shows us more fully than full light ever would Marko Capoferri has lived and worked in eight US states, including Montana, where he currently resides. He is an MFA candidate at the University of Montana in Missoula. His work has appeared or is forthcoming in Painted Bride Quarterly, Porter House Review, Prometheus Unbound, Camas, and FatherFather. Comments are closed.
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