2/17/2020 Poetry by Matthew MacDermant Richard P J Lambert CC Memories and Reveries Memories of memories of memories Fade back and back and back I recall a moment A feeling The sound of laughter on a Saturday morning Seashore spray on a shore raised face Sunshine Splashing waves Winds swept across sand and shell I am a reverie I am the past I am brighter days Colors vivid Experiences fresh and new When life was a bit more... What are the words The sights The sounds I’m searching for? How was it that my younger self felt? What was that thought That creative, chaotic, contemptuous thought Lost to time’s eternal grind In the back of my eighth-, tenth-, twelfth-grade mind? I am the child Peering around the corner in darkness after bedtime I am the teenager Yearning for the day I can drive away I am the grounded The disgruntled calendar counter Ticking off days until graduation My friends and I are bored again I guess we’ll ride bikes in this well worn town I guess we’ll jump fences and steal a few waves I guess we’ll sit around after curfew Long to X our eighteenth Our twenty-first What comes after that? We just can’t wait to grow up To leave To be free But will this growth bring wisdom? Will we ever arrive? Will we be too late? Will the world give up the wait and close the gate? Is it even possible to liberate? Or will we just stagnate Procrastinate Commiserate Pay homage to nostalgia And then to fate Until the future is all used up Until then and there merge to one Until all that’s left is a setting sun From the clutches of time we cannot run We only have here We only have now But when is now? Is it even real? Is it something you can feel? The past holds my memories The future my reveries But neither holds me Neither holds we Neither holds anything the eyes can see We spend our days dreaming We spend our days dwelling We spend our lives locked in a loop We can never be free We can never be we In a memory Or a reverie Until we set those dreams on fire Let fate and nostalgia expire And let the universe conspire To bring us back Back to a child like knowing A sense of living and flowing Upon a stream we are constantly going And if we let those phantoms keep growing We will have no seeds for sowing No paddle for rowing The current Or the path Just victims of time’s wrath So I say to myself And to all who will listen Let go of those ghosts Let your present self shine It’s not a perfect path but it’s undoubtedly mine There are no better days Not before and not then We rise from where we are From the blood and the dirt And don’t expect to feel alive and yet be free from the hurt Cast off your false pretenses And your mental defenses Life is only lived in present tenses. Taking Space I can’t deny that I take up space And not a little bit The footprint of my shadow can be If I am presenting unconsciously Like the shaded hues of an impending storm From horizon to horizon In all four directions Clouds dampen every contour in sight It is not that I intend to take this space I do not demand it I do not find myself incredulous at the presence of others No I balk at self-important men Straight white men with mortgages and advanced degrees Suits and suites at the Sheraton And yet I take space still Sometimes with words or mannerisms Always by the weight of my born identity People just believe me Take me seriously Offer me praise Jobs Zero interest loans for which I did not apply This is not because of who I am It is because of what I am I cannot deny what I am. I cannot deny that this construction shapes the world around me. I cannot deny that I rarely feel Threatened Excluded Passed over Judged unfairly At least not in ways that compromise my physical safety or my ability to pay rent I cannot deny that I have used this privilege to my advantage. I have hidden in the wide open spaces of my own shadow I have relied upon this space to edge me into opportunities I didn’t deserve I cannot deny that I have been fragile when these clouds have been peeled back to let in the light The light of other people People who I Love People to whom I have professed unwavering solidarity and allyship I have crumbled under my own weight I have turned the grief of comrades, lovers, and friends into a story about me A story about my inability to be an ally I know this is because of my conditioning As a settler As a man As a white guy Tall and handsome With good grades I was born into the normative narrative I am the unconscious violence of race and class Gender and colonialism This is what I am The question of who I am can be a different story If I am willing to make it so And bring fire and fury Light and space Into this cloud covered world. Learning to Cry Poised Confident Put together Hours and days and years have been spent accumulating certainty The right words and arguments for things I know nothing about Analyses of books I haven’t read Definitive answers to questions upon which I have barely reflected It’s important to be right It’s important to know what you’re talking about Well, it’s important that people think you know That people think you’re right That’s how you get praise That’s how you get prestige That’s how you rise to prideful pomp and prompt promotion That’s how you reach perfection That’s how you win When I was 32, I learned how to cry I learned how to fall apart I learned how to grieve I learned how to lie upon floors Hair disheveled Eyes pouring out decades of accumulated manhood and perfection I learned it’s not important to know everything It’s not important to pretend It’s not important to be a man Falling to pieces is the only way to be whole. Matthew MacDermant is an editor and contributor for The Philadelphia Partisan. When he isn’t musing with pen and notebook in hand, he is working with the Student Conservation Association building trails, organizing political education and environmental justice events, or hiking in Philly and New Jersey area parks. He is currently researching and writing about the links between colonialism and climate disaster, and exploring identity, gender, ecology, and the embodied experience through short fiction and poetry. You can reach him at [email protected] or follow him on Twitter @QuillandNote. Comments are closed.
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