2/20/2017 Three poems by Michelle AskinA Soft Opening We were in the work house; I remember that. You said someone has brought us a black forest cake. And I kept thinking you said someone has brought us a black forest. And the room became a wealth of dark shadowy branches and then wetness from rain- the eerie moon too shading inside the latched door. My love for you that year was overwhelming- always calling out for help. Taking you from your bread leavening duties and your slaughtering of the chickens. The knife in your trembling, gentle hands was like the wondrous silver in your voice. You were asking if I needed a ride to where my care would be more severe. And I saw gray metal walls. A radio of dreary fuzz and distant ocean storm warning tranced wildly in the lungs of my lonely breathing. And then I became sadder, knowing just how far away I had always been. Fallen I had this dream that I was alive again. And afterwards, I called you from the nearest payphone. You laughed a little, saying, Okay, maybe we'll see each other again. Then you let yourself breathe softly for a while, which I think had something to do with sadness. The breaths more and more like a song. But I didn't tell you this, or ask why. I just listened to your radio fade-like humming melt into the washout rain until the downpour thickened even more and drowned out the dial ring of your hang up. And still, I kept speaking within the neon blurred glass. I kept holding the red phone closer to my mouth as though somehow that would help, as though you could hear me while faraway and sleeping—hear me say that I am sorry and how lately I’ve wanted so much for it to be true that we really could be born again. That in my repentance, the Lord would take all my shit and bathe my body into the clean and everlasting. And maybe too, you would have heard me say that I had forgotten how gorgeous this part of the city was- lights from the gray parking garage illuminating into bronze all the wet rose bushes and arches of alleys, and even reaching into the frosty river of night traffic bridges. Or, maybe by then it had begun the hour, where all were awakening. Arise Welcome the new generation who won’t buy into the less is more. No more is more. And I want more all the time. I want to swallow lights emitted from NASA satellites, so I can feel myself glow in the darkest far away spaces and connect to constellations rotating over where you dream. It’s amazing how the more I fuck it all up and so many bad years that fade by of just driving, myself, alone through congested highway traffic closed off from anywhere to go, the more I put my faith in something good to come. Like I swear, in one of these strangely blessed years ahead, there will be a night where we find ourselves resting within one another in some lonely but beautiful city— majestic red bridge tunnel and silver river running through. A city, where people still count themselves to sleep with lovely things of sheep. One shepherd leaving the fold of ninety-nine for the lost and maybe very sad, hurt one. One thousand and nine dusks of lamb wool- like sky promising snow and closures to the places that have not enough warmth for us, not enough a clearing to lead us in through. Bio: Michelle Askin's work has appeared or is forthcoming in Pleiades, Rust & Moth, The Meadow, Hopper Review, Lindenwood Review, Up The Staircase, and elsewhere. Her work has been nominated for a Pushcart Prize. She resides in Northern Virginia. Comments are closed.
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